The competition among the three main printing processes, as some experts agree, is fought less in the printing press sector than in the areas of reproduction/printing plates, paper, and ink and drying issues. The latter are far more crucial in many applications than is commonly assumed. For example, the author is aware that a new magazine with a large print run was switched from gravure to offset printing solely to save on ink costs. The company in question, which has access to all three processes, also commissioned external reviews. Both parties reached the same conclusions.

More often than not, the quality of the reproduction results determines which type of press is used. This leads to the conclusion that book printing has—or should have—a very strong interest in the rapid and successful development of photolithography and electroplating.

But what is the situation here? In Switzerland, for example, printing and photolithography are affiliated with two different associations.

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For many readers, the future of their profession is akin to the future of their own identity. This is certainly true for all those for whom their work is more than just a means of earning a living. Thus, it was an enticing task for the author to put down some thoughts on the above topic, having had the rare opportunity to observe, using a wealth of comparative material, how strongly book printing, this oldest printing method, not only maintains its position amidst its competing processes but is also evolving rapidly.

Introductory paragraph from the Busag-Cliché Bulletin, Journal for the Promotion of Illustrative Book Printing, published by Clichéfabrik Busag AG, Bern and Zurich, issues 9 and 10.

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